Similarly, these "frescoes" - professional expression - set up in the large screens in the in charge of presenting the newspaper. Wide shots, close-ups, the effect of meaning is instantaneous. The danger lurks at all times, in the filming and of course we have cruelly seen it, in the choice, and especially in the possible intervention on the fixed image that we give to see.
So for almost 7 to 8 years, this intensive innovation of the chile cell phone number list screen in the screen, requires that we feed with rigor what is also an editorial proposition . Agency photos, still images from reports contribute to this daily illustration work and now omnipresent in the editions. And this has nothing to do with wallpaper, far from it. The big English chains have been practicing this art of doing for a long time. Daily, the latter do this work of collage, in other words of recomposition of images, without there being the slightest doubt.
This is because the use cases have been duly listed and disciplined. In France, due to a lack of historical depth, it is clear that the exercise remains subject to hazards that could this time cause real editorial tragedies. Such avatars are part of the heavy dramatic history of the illustration image on TV .
Background that frame those
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